a space is the materialisation of an idea.
colour and material come to illuminate its message.
philosophy
it is scientifically proven that the subconscious mind perceives its environment in a much more subtle and persistent way than the intellectual and rational approach. this implies the use of specific processes for each project to design places that are harmonious and in line with its public.
the analyses and proposed developments create a connection between the spaces and their activities by combining their functional and aesthetic qualities with the needs and well-being of the users. it is about placing our focus around people once again.
philosophy
it is scientifically proven that the subconscious mind perceives its environment in a much more subtle and persistent way than the intellectual and rational approach. this implies the use of specific processes for each project to design places that are harmonious and in line with its public.
the analyses and proposed developments create a connection between the spaces and their activities by combining their functional and aesthetic qualities with the needs and well-being of the users. it is about placing our focus around people once again.
implementation
to establish this essential link between the content and its container, it is essential to consider the places in their entirety by responding to a maximum of issues: analyses related to psychology, architecture, education or even sociology, integration of institutional needs, as well as financial realities.
the layering of these various points of view makes it possible to establish a unique map for every project, serving as a baseline for the concepts and as backup at all stages of production for the multiple stakeholders. the objective is to develop, together with the principal decision makers and the architects, the guidelines conveying the project’s values and constitute a positive general resonance, determining the paths to take.
experience has shown that clearly defined baseline values and core needs facilitate interactions at all levels. this results in fully completed projects, often more daring than initially imagined.
this principle can be applied across the scope of any project and at all levels.
implementation
to establish this essential link between the content and its container, it is essential to consider the places in their entirety by responding to a maximum of issues: analyses related to psychology, architecture, education or even sociology, integration of institutional needs, as well as financial realities.
the layering of these various points of view makes it possible to establish a unique map for every project, serving as a baseline for the concepts and as backup at all stages of production for the multiple stakeholders. the objective is to develop, together with the principal decision makers and the architects, the guidelines conveying the project’s values and constitute a positive general resonance, determining the paths to take.
experience has shown that clearly defined baseline values and core needs facilitate interactions at all levels. this results in fully completed projects, often more daring than initially imagined.
this principle can be applied across the scope of any project and at all levels.
presentation
this multidimensional approach finds its roots in the diversity of my artistic, professional and personal experiences.
the humanist foundations, acquired during my studies, were developed during my artistic practice and further consolidated by a master’s degree in psychology.
my understanding of space, colours and technical proficiency is thanks to my years as a glassmaker.
the projects carried out in either design or interior architecture have taught me to master all of their stages: from concept to organisation, from production monitoring to on-site installations.
this array of experiences allows me today to offer a broad and holistic vision of planning and development, making possible the implementation of spaces fully adapted to humans.
currently, I offer expertise and consult with project owners and architectural firms. I also occasionally teach on the influence of colour in architecture.
presentation
this multidimensional approach finds its roots in the diversity of my artistic, professional and personal experiences.
the humanist foundations, acquired during my studies, were developed during my artistic practice and further consolidated by a master’s degree in psychology.
my understanding of space, colours and technical proficiency is thanks to my years as a glassmaker.
the projects carried out in either design or interior architecture have taught me to master all of their stages: from concept to organisation, from production monitoring to on-site installations.
this array of experiences allows me today to offer a broad and holistic vision of planning and development, making possible the implementation of spaces fully adapted to humans.
currently, I offer expertise and consult with project owners and architectural firms. I also occasionally teach on the influence of colour in architecture.
competencies
the multi-directional approach of my areas of expertise makes it possible to offer answers adapted to the demands and specificities of each project.
analyses
transverse reflections leading to a multi-faceted diagnosis. this expanded vision becomes a fertile ground for new perspectives.
concepts
from the compilation of the initial information, concepts emerge to meet the defined intentions.
colorimetry and materialities
neutral or inspiring, they actively contribute to the feeling and volumetric reading of a space. hues create an unconscious imprint and can also be used to induce an instinctive understanding of a building.
signage
and organisation
the organisation of a space as well as the way in which we orient ourselves actively participates in its appropriation. all structures require their own development and implementation in order to contribute to ones own autonomy and thus build confidence.
furniture
and decoration
directly associated with the memory of an event, these two elements must be in line with the architecture, the defined activity and the audience. the integration of a graphic identity guarantees in the long term a coherent and harmonious overall atmosphere.
lighting
and acoustics
these two elements actively participate in the level of comfort and well-being. it is essential to integrate them from the beginning of a project so that they may harmonise and reinforce the overall concept.
competencies
the multi-directional approach of my areas of expertise makes it possible to offer answers adapted to the demands and specificities of each project.
analyses
transverse reflections leading to a multi-faceted diagnosis. this expanded vision becomes a fertile ground for new perspectives.
concepts
from the compilation of the initial information, concepts emerge to meet the defined intentions.
colorimetry and materialities
neutral or inspiring, they actively contribute to the feeling and volumetric reading of a space. hues create an unconscious imprint and can also be used to induce an instinctive understanding of a building.
signage and organisation
the organisation of a space as well as the way in which we orient ourselves actively participates in its appropriation. all structures require their own development and implementation in order to contribute to ones own autonomy and thus build confidence.
furniture and decoration
directly associated with the memory of an event, these two elements must be in line with the architecture, the defined activity and the audience. the integration of a graphic identity guarantees in the long term a coherent and harmonious overall atmosphere.
lighting and acoustics
these two elements actively participate in the level of comfort and well-being. it is essential to integrate them from the beginning of a project so that they may harmonise and reinforce the overall concept.
news
2024
2018 – 2024
2022
2016 – 2019
2018
inauguration of campus project, engineering school HEIG-VD | yverdon
2018
2017
news
2024
2018 – 2024
2022
2016 – 2019
2018
inauguration of campus project, engineering school HEIG-VD | yverdon
2018
2017
press
2024
2022
2020
2020
2020
2020
2019
2019
2018
2018
dyod online magazine | ems la lembaz
2017
journal arts et métiers (arts and crafts journal), monthly newspaper | portrait inroom*
2016
24 heures, daily | ems la lembaz
2014
2013
24 hours, daily | juvenile prison
2013
state of vaud, dgip | official document ‘lechaire detention facility’
2011
pulsation (heartbeat), HUG monthly magazine | pediatric renovation
press
2024
2022
2020
2020
2020
2020
2019
2019
2018
2018
dyod online magazine | ems la lembaz
2017
journal arts et métiers (arts and crafts journal), monthly newspaper | portrait inroom *
2016
24 heures, daily | ems la lembaz
2014
2013
24 hours, daily | juvenile prison
2013
state of vaud, dgip | official document ‘lechaire detention facility’
2011
pulsation (heartbeat), HUG monthly magazine | pediatric renovation
references
fondation la maison azur
canton de vaud
chuv
hug
university hospital geneva
heig-vd
fondation la pouponnière et l’abri
fondation la rambarde
fondation primeroche
fondation du relais
fondation le pérou
fondation balcon du lac
fondation ensemble
codha
chrisallerie daum
quartal
sedus
dedanaë
domaines des chevaliers
swiss design center
eracom